Step 1 - Tracing

Step 1 Tracing the Pattern to the Fabric

Often mola making is described in a simplistic way that states: several layers are stacked and the top layer is cut down to layers underneath. In the real Kuna world, the work is done in a more logical way. Layers and pieces are built from the foundation up. There is only one type of mola in which it is more practical to start with the top of three layers. The method for this mola is done in three stages:
Stage 1. A channel outlining the main figure is created.
Stage 2. Significant detail is appliquéd as part of the main figure.
Stage 3. All space is filled in as negative (reverse)appliqué.

First, you must get the figure located on the fabric. The Kuna mola maker would draw this main outline for the figure with a pencil. Since you are working from this pattern, you must get it transferred to the middle layer of fabric. There are several ways to do this:

1. Many people have light boxes and if you have one, tape the pattern to the glass and tape the fabric over it. Then trace the HEAVY BLACK OUTLINE ONLY. Do not trace any of the light gray lines.

2. If you do not have a light box you can use a window in the day light and work the same way taping both the pattern and fabric to the glass. Trace ONLY THE HEAVY BLACK LINE.

3. If you don't have a light box or a window handy, you can work the way I have for many years before I had a light box. Use dressmaker's tracing carbon. This is available in fabric shops that carry notions and fabrics for dressmakers. A package comes with several pieces in different colors. Choose a color that will show up well on the middle layer fabric. Place it between the fabric and the paper pattern with the carbon side down. Trace the HEAVY BLACK LINE ONLY with a sharp hard pencil.
You are now ready to begin cutting and stitching the mola.

Click to the next step

Click here for Stitching Hints